Generationals make bouncey cool indie pop with happy beats and an 80's kind of "dance while the world is burning" feel. This years "Heza" felt so jubilant that it turned me off a bit. The youthful optimism was just difficult for a cynic like me to swallow. Upon a second listen, maybe it is I who needs to look in the mirror, soul search and simple dance.
Check out the video and the promotional info below, oh, yeah and dance.
- Robb Donker
GENERATIONALS UK TOUR 2013
generationals.com
Since releasing their debut full-length Con Law in 2009, Generationals
have consistently delivered pop hooks shone through a melancholic prism.
2013's Heza brought the band to Polyvinyl along with significant
success at SXSW and a No. 1 track on Hype Machine. With considerable
buzz across the UK media they now prepare to visit our side of the pond
for a substantial tour.
Recorded in phases at Jim Eno's Public Hifi in Austin, producer Daniel
Black's Bent Black studio in D.C., and the band's hometown of New
Orleans, Heza finds Generationals more satisfied in writing songs that
breathe and grow over time. These songs show restraint, with hooks
developing in the spaces between sounds. The attention to rhythms and
textures reveals a more patient band -- one willing to dig for deeper
gems than in their previous work. Tracks like "You Got Me" and "Put a
Light On" use minimalist electronic frameworks to match the intensity of
more straightforward guitarwork on "Spinoza" and "I Never Know," all of
them paying more attention to layers and textures than to forcing the
hook. On Heza, Generationals aren't so much shedding their old skin as
growing more comfortable in the one they've always inhabited.
Ted Joyner and Grant Widmer struck up a friendship as high school
freshmen in New Orleans, LA. While attending Louisiana State in Baton
Rouge, the two formed The Eames Era with three classmates in 2003. The
dissolution of that group in 2007 led to a return to New Orleans where
Joyner and Widmer started writing songs as Generationals. Baton
Rouge-native and Eames Era producer Daniel Black (The Oranges Band)
invited them to record their debut LP, Con Law, at his Washington, D.C.
studio, Bent Black in 2008, where incessant coverage of the presidential
campaign between Barack Obama and John McCain, and the issues dividing
the candidates' viewpoints, gave rise to the band's name.
New Orleans-based label Park The Van (Dr. Dog, The Spinto Band)
released Con Law in 2009. Its retro vibe clearly bore the influence of
Phil Spector's mid-century pop, but Generationals' influences always ran
the gamut, with pieces of British pop, dance and electronic poking
through the trumpet stabs and Abbey Road compression on their analog
24-track recordings.
The band maintained their obsession with tape recording on 2010's Trust
EP, produced in Austin, TX by freak- folk mastermind Bill Baird
(Sunset, Sound Team). Trust saw the band drift away from the Brill
Building origins of Con Law in favor of a new wave sound that owed more
to The Sugarcubes and The Stone Roses than the Ronettes. 2011's
sophomore LP Actor-Caster revealed a band zeroing in on their strong
suit: dynamic pop songwriting. All ten of its taut, bright songs found
their way into the band's setlists as they hit their stride with a live
confidence earned by relentless touring.
They’re now hitting the road again, touring throughout the world. The UK dates are as follows:
04-Aug – The Hope, Brighton
05-Aug – The Lexington, London
06-Aug – The Cookie Jar, Leicester
07-Aug – Broadcast, Glasgow
08-Aug – Castle Hotel, Manchester
10-Aug – The Workman’s Club, Dublin, Ireland
11-Aug – Pine Lodge, Myrtleville, Ireland
11-Aug – The Pavillion, Cork, Ireland
13-Aug – Bourkes, Limerick, Ireland
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