The Tin Can Collective and the expansive emotional punches of "Mornings Are My Afternoon"

 

"etch your name in wet cement..."

Listening to the throttling, emotionally expanding "Mornings Are My Afternoon" by New York based The Tin Can Collective with it's pushing bass and shifting sounds that stack emo, indie rock, Americana (heartland rock) tones and more I flashed on artists like Jeff Rosenstock who mine a sort of similar aesthetic. It is one that is internal, self aware, angsty, cathartic. I remember seeing him for the first time at the Wrecking Ball Fest in Atlanta in the shadows of the old iconic Masquarade venue (R.I.P) and was stunned by everyone in the audience singing along to "Nausea". 

I feel that same kind of connection within The Tin Can Collective and in a "it's a small world" sort of way, "Mornings Are My Afternoon" was mixed by Jack Shirley who has worked with Rosenstock (and Joyce Manor and Deafheaven). 

"Mornings Are My Afternoon" is from The Tin Can Collective's latest EP "A Brief Look Back At Rising Tides" and as written and performed by brother and sister songwriting team John and Jess Warren feels drawn from real life trials and tribulations, melancholy hard edges, tight fisted and punching back at what life has to offer.

-Robb Donker Curtius

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Written and performed by brother and sister songwriting team John and Jess Warren. Recorded during the the pandemic with just the 2 of them in the studio.

John played guitar,bass, drums, keys and vocals and Jess played guitar and sang.
mixed by Jack Shirley (Joyce Manor, Deafheaven, Jeff Rosenstock)


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 The Tin Can Collective, New York based, Indie Rock, Emo, Alternative Rock, new EP "A Brief Look Back At Rising Tides", alt rock, Americana, busker punk, "Mornings Are My Afternoon",