"I want another one of these.... I want another one of them..."
The explosive throttle of 'DBT' by Bristol based post-garage punk trio HOLY POPES feels utterly dramatic hinged on the sonic tensions each member provides. Strip away the screaming lead guitar and strident vox (a beautifully caustic amalgam of artists like Jello Biafra and Nick Cave) and the bass and drums barrage might feel more alt rock but less punk. Turn off the ballsy exquisitely textured heavy bass off and it might feel oddly art punk experimental. Unleash it all together as you hear it and it feels like a head banging punk brawl with a punk carnival barker, part apocalyptic preacher, part labor unionizer. The raw equations here add up to a deeply gothic rock, punk noir sound.
Like the best punk songs there are political elements / social commentary:
On the track, guitarist / vocalist Dominic Knight (ex-The Eighties Matchbox B-Line Disaster) says: “Our entire system is based around debt. From using sea shells as markers of goods that are owed, to the paper money we hold in our hands being merely trust in an idea of wealth rather than having actual value. These ideas always affect the poorest in society and we see it so often with money lending, overdrafts and borrowing.”
AND
“Promoting ideas of climbing the social ladder through objects and wealth means people can no longer wait for the next car or phone, they have to borrow to obtain it today. This capitalist trick has us blame each other for our ills, and distracts us from the billions that are accrued by the very few, leaving behind them a trail of poor bodies, environmental destruction and social instability. Debt is slavery. Capitalism is organized crime.”
Here in America we are still wallowing in the fucked up muck stirred up by an orange haired psychotic grifter who happened to be President and has always been a representative of the worst kind of capitalist. A coddled rich kid who lied, cheated and stole his way to the top at every turn and somehow, somehow we were all surprised when he tried to steal our democracy. Fuck me.
HOLY POPES are Luke Bujniewicz (Drums), Dominic Knight (Vocals/Guitar) and Jake Beckett (Bass).
-Robb Donker Curtius
https://www.facebook.com/profile.php?id=100063982088205
https://mandemolishrecords.bandcamp.com/
https://www.instagram.com/holy.popes/
https://music.apple.com/gb/album/d-b-t-single/1646592369
Bristol-based post-garage/punk trio HOLY POPES are pleased to announce they have signed to Hull-based independent label Man Demolish Records (NEWMEDS).
As a taster of things to come, their visceral anti-capitalist debut single ‘DBT’ is out now along with an unnerving, wild-eyed video that reflects their twitching, erratic take on post-garage punk.
Commenting on the track, guitarist Dominic Knight (ex-The Eighties Matchbox B-Line Disaster) says: “Our entire system is based around debt. From using sea shells as markers of goods that are owed, to the paper money we hold in our hands being merely trust in an idea of wealth rather than having actual value. These ideas always affect the poorest in society and we see it so often with money lending, overdrafts and borrowing.”
“Promoting ideas of climbing the social ladder through objects and wealth means people can no longer wait for the next car or phone, they have to borrow to obtain it today. This capitalist trick has us blame each other for our ills, and distracts us from the billions that are accrued by the very few, leaving behind them a trail of poor bodies, environmental destruction and social instability. Debt is slavery. Capitalism is organised crime.”
Formed by Knight and drummer Luke Bujniewicz in 2020, the band’s acerbic, over-driven first offering is as good a window as any into the gritty, distorted world of HOLY POPES.
‘Holy popes’—the irony of giving godly importance to man made ideas. Systems of oppression created to make us subservient to religion, to capitalism, to patriarchy. “It’s a farce, and music is a machine that kills fascism and bigotry,” enthuses Knight. “Let’s dance whilst we overthrow harmful systems.”
After years of being in bands, the pair had both had enough. Music wasn’t hitting the right spot and it felt like a slog trying to make something of it. Initially they came together as a two piece simply to make a noise, not for any sense of being a live band. Very quickly, after the addition of bass player Jake Beckett, they knew they had something special.
“We did our first gig the week of lockdown, and for two years after that we barely saw a live show, let alone play one,” laments Knight of the band’s beginnings. “During that time, though, we began working on our album, producing and recording it ourselves during the months that lockdown eased. We wanted to make something raw and in your face, so in the spring of 2022, we spent two days laying down the album live in our studio.”
The secret ingredient? “We didn’t care,” explains Knight. “We were making exactly what we wanted with no intention of thinking about labels, tours, fans…it made us excited again.”
Like the best punk songs there are political elements / social commentary:
On the track, guitarist / vocalist Dominic Knight (ex-The Eighties Matchbox B-Line Disaster) says: “Our entire system is based around debt. From using sea shells as markers of goods that are owed, to the paper money we hold in our hands being merely trust in an idea of wealth rather than having actual value. These ideas always affect the poorest in society and we see it so often with money lending, overdrafts and borrowing.”
AND
“Promoting ideas of climbing the social ladder through objects and wealth means people can no longer wait for the next car or phone, they have to borrow to obtain it today. This capitalist trick has us blame each other for our ills, and distracts us from the billions that are accrued by the very few, leaving behind them a trail of poor bodies, environmental destruction and social instability. Debt is slavery. Capitalism is organized crime.”
Here in America we are still wallowing in the fucked up muck stirred up by an orange haired psychotic grifter who happened to be President and has always been a representative of the worst kind of capitalist. A coddled rich kid who lied, cheated and stole his way to the top at every turn and somehow, somehow we were all surprised when he tried to steal our democracy. Fuck me.
HOLY POPES are Luke Bujniewicz (Drums), Dominic Knight (Vocals/Guitar) and Jake Beckett (Bass).
-Robb Donker Curtius
THE FACTS AS WE KNOW THEM - PRESS NOTES:
https://www.facebook.com/profile.php?id=100063982088205
https://mandemolishrecords.bandcamp.com/
https://www.instagram.com/holy.popes/
https://music.apple.com/gb/album/d-b-t-single/1646592369
Bristol-based post-garage/punk trio HOLY POPES are pleased to announce they have signed to Hull-based independent label Man Demolish Records (NEWMEDS).
As a taster of things to come, their visceral anti-capitalist debut single ‘DBT’ is out now along with an unnerving, wild-eyed video that reflects their twitching, erratic take on post-garage punk.
Commenting on the track, guitarist Dominic Knight (ex-The Eighties Matchbox B-Line Disaster) says: “Our entire system is based around debt. From using sea shells as markers of goods that are owed, to the paper money we hold in our hands being merely trust in an idea of wealth rather than having actual value. These ideas always affect the poorest in society and we see it so often with money lending, overdrafts and borrowing.”
“Promoting ideas of climbing the social ladder through objects and wealth means people can no longer wait for the next car or phone, they have to borrow to obtain it today. This capitalist trick has us blame each other for our ills, and distracts us from the billions that are accrued by the very few, leaving behind them a trail of poor bodies, environmental destruction and social instability. Debt is slavery. Capitalism is organised crime.”
Formed by Knight and drummer Luke Bujniewicz in 2020, the band’s acerbic, over-driven first offering is as good a window as any into the gritty, distorted world of HOLY POPES.
‘Holy popes’—the irony of giving godly importance to man made ideas. Systems of oppression created to make us subservient to religion, to capitalism, to patriarchy. “It’s a farce, and music is a machine that kills fascism and bigotry,” enthuses Knight. “Let’s dance whilst we overthrow harmful systems.”
After years of being in bands, the pair had both had enough. Music wasn’t hitting the right spot and it felt like a slog trying to make something of it. Initially they came together as a two piece simply to make a noise, not for any sense of being a live band. Very quickly, after the addition of bass player Jake Beckett, they knew they had something special.
“We did our first gig the week of lockdown, and for two years after that we barely saw a live show, let alone play one,” laments Knight of the band’s beginnings. “During that time, though, we began working on our album, producing and recording it ourselves during the months that lockdown eased. We wanted to make something raw and in your face, so in the spring of 2022, we spent two days laying down the album live in our studio.”
The secret ingredient? “We didn’t care,” explains Knight. “We were making exactly what we wanted with no intention of thinking about labels, tours, fans…it made us excited again.”
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