This review simulposted on LA Record
As I was still high off of the two Peter Bjorn and John secret shows at the Lovely Bad Pad and at the LA 819 Maple Loft space on January 29th, Sean Carlson threw yet another FYF secret show at me. Arcade Fire. YES, Arcade Fire, (in town to perform at the Grammys), was playing at the Ukrainian Cultural Center in LA on February 11th, at 9pm for a mere 30 dollars. AF shows generally range from 80 dollars to 400 dollars, and the audience size is usually about 10 times larger than the quaint high school dance gymnasium feel of the UCC. I knew deep in my heart that if I didn't attend, I would hate music for the next several weeks. The night before the show at 9pm, clues were released on Arcade Fire's twitter of where the tickets to this show would be sold. All 3 pictures contained zipcodes, and (extremely obvious) "clues." People immediately lined up and camped out at Fingerprints in Long Beach, and Origami Vinyl and the El Rey in Los Angeles. I thought I was doomed, but thanks to some fantastic friends who were about 10th in line, I was able to get tickets, (I almost peed my pants).
I got to the venue at about 8pm, and was welcomed by free cotton candy, soda, and water, which I ignored and went straight to the floor. The doors opened at 7:30 so there was already a large crowd on the floor so I devised a plan for my friends and I to get closer to the front. We laughed like Scooter Rechid, the surfer from Spongebob, and, in an effort to get away from us, the crowd parted. It kind of worked, but we ended up being behind some guy that would not stop farting. It seemed like we only stood their for 5 minutes, and around 9:05 Arcade Fire walked on to the stage and their energy was immediately palpable. The audience, most whom had stood in line for 10-15 hours became a single entity of
Arcade Fire started out with the song "Month Of May" from their new album The Suburbs, that was first released on a double-sided single on May 27th 2010 (one day after my birthday. Destiny). Approximately 90% of the audience sang along and danced to this fast paced song, and it was the perfect way to start out the show and get everyone going. Arcade Fire's obviously top notch equipment combined with their talent and blatant passion, made an absolutely perfect sound. It wasn't loud at all; it was as if we were in the recording studio with them. They went right in to the classic "Rebellion (Lies)" from their first album Funeral, as everyone cried out not expecting one of their "old ones." We all sang along, calming down our dancing to belt it out. Even though this song isn't as upbeat as the first track they played, the crowd still cheered and danced with deep infatuation for the live music that graced our ears.
Once the song ended and the crowd quieted down, Win Butler said his thanks as they switched their instruments around, and told us "It was below 10 when we left Montreal, so I can honestly say were extremely fucking happy to be here." After these uplifting words they went into "Neighborhood #2 (Laika)" a song from Funeral which we all once again went fucking crazy for. The sound of everyone singing along almost brought me to tears, but I felt stupid so I stopped myself. The strings on this song sounded phenomenal, while the percussionists played drums on anything they could hit, including the stage scaffolding. They then played one of my favorites, "No Cars Go" from their 2nd album Neon Bible. I was happy to hear Regine Chassagne's cute voice clearly, and extremely happy to hear the whole crowd screaming "HEY!" and "LET'S GO!" whenever Arcade Fire did so. I can't even express how fun that was. Win threw an open water bottle at the audience, and Regine then gave us more when they played "Haiti" from Funeral, where she sings in scattered French and English, beautifully. I sang along because I speak French, and it was funny to hear people trying to sing along to this one (heh heh). Arcade played "City with No Children" next, off of The Suburbs. Surprisingly, a lot of the audience knew these lyrics more than they did with Haiti, but it was again pleasing to hear everyone singing, and clapping along. Win then mentioned that 1 dollar of every ticket for this show, was going to Haiti to "bring baby Doc to justice" (learn more here: https://ijdh.myetap.org/
Just kidding, they gave us an encore after 2 minutes of being backstage, since we had our team effort and clapped and screamed until they came back out. They played "Ready to Start," off of The Suburbs, like the show was starting all over again and everyone happily sang along with their success of an encore. Then came another exciting upbeat classic, "Keep the Car Running" with those exciting drums that made everyone whip out some 80's dance moves (or at least I did). Arcade Fire ended this surreal show with the song off of The Suburbs, that I literally listen to everyday and fantasize about performing it, "Sprawl II (Mountains Beyond Mountains)." This song is so 70's disco-y in the best way possible, and I believe we all danced harder than we ever have. When I saw Regine getting ready and I heard the synths, I couldn't help it and I said "Are they going to play Sprawl II....FUCK YES!!" Regine danced in another one of her gorgeous sequined dresses, and tossed her giant rainbow pompoms around as the lights flashed, and Win continuously said "Cut the lights....CUT THE FUCKING LIGHTS!" which are lyrics from the song, but he was fucking serious. The lights cut, and the show was sadly over.
What j'adore most about Arcade Fire, is their endless passion for the music they play. They love the songs just as much as their fans do. A lot of bands I have seen (which is, A LOT), just seem as if they're going through the motions of playing another show. Arcade Fire plays like it is the last time they will perform, with the smiles, gratefulness, laughter, and energy of young children playing together. All I can hope for in life, is to fall in love with an amazingly talented man and be in one of the best bands ever with him, as Regine has with Win.
- Alyssa Holland