"Don’t serve me your strongest choice / but keep em coming for the rest of the night / Pulled from the shelf then dog-eared and bent / Self pity made you pretty / Yet pretty doesn’t bite my heart..."
The exuberant beauty and blessings of "There Goes My Fairytale" by They Owe Us, the artist project of Swedish multi-instrumentalist and producer Kristoffer Ragnstam, is so dense in it's songwriting embrace, tightly wound musicality and poetic imagery. There is something so special here that is hard to define but the scope of this track feels born out of 80's indie pop, new wave / 90's abstract indie rock and 2000's sort of kitchensink indie rock - emo like an amalgamic crush of Elvis Costello, Pavement and Los Campesinos! (or something like that). I am also really loving the mellow sort of folk saturated verses counterpoised by the punchy (and precisely erratic sounding) big chorus, love the ying / yangian thing happening here and especially (ESPECIALLY) loving Ragnstam's vocal countenance full of emotional punches and vulnerability at the very same time.
"There Goes My Fairytale" is my first glimpse of the upcoming album "Katzengold" dropping on September 25th!!
LINER NOTES (excerpted / bracketed):
[“There Goes My Fairytale” embraces its flaws, late-night grit, and the feeling of trying to patch up a romance that is already coming apart.
"Lyrically, I can get a bit neurotic," says Ragnstam. "I kept asking myself, 'Should I write this? Should I really tell this story? Am I finding the right words?' I definitely hit a few speed bumps along the way."
Coinciding with the release of Katzengold, They Owe Us will support the album with many dates on the road. Beginning at Reeperbahn Festival before continuing through Europe with highlights including a Rough Trade Berlin in-store performance and signing. The tour concludes in South Korea, extending the reach of a project that has quietly built an international audience by following the songs wherever they lead.]
-Robb Donker Curtius
LYRICS
Don’t serve me your strongest choice
but keep em coming for the rest of the night
Pulled from the shelf then dog-eared and bent
Self pity made you pretty.
Yet pretty doesn’t bite my heart
You drew the curtains but forgot your lines
Still bowed like the play went just fine
I clapped on cue, yeah, I played along
Even your silence had somewhere to belong
There goes my fairytale
Stamped with a grin, like smoke on your skin
Kept with the cuts I once called a win
There goes my fairytale
Flicked from the lip of a cigarette grin
Kept with the cuts I once called a win
You stirred your drink like you stir up doubt
Smiled like a dare with the edges smoothed out
The air got dense when you crossed your legs
I swear even logic forgot what it meant
I played it detached, in my best disguise
But your eyes played honest for the length of the lie
So I’m patching the holes with a hum and a pen
Call it a habit, tracing endings again
There goes my fairytale
Stamped with a grin, like smoke on your skin
Kept with the cuts I once called a win
There goes my fairytale
Flicked from the lip of a cigarette grin
Kept with the cuts I once called a win
+ + +
The Chicken Wheel will take you to the AP Go Fund Me- and any amount is so appreciated!
https://www.theyoweus.se/
https://www.facebook.com/TheyOweUs
https://theyoweus.bandcamp.com/album/katzengold
They Owe Us 2026
Cut and commit. Keep the first instinct. Don't edit away the personalities. For Kris Ragnstam, a scratch demo often contains everything a song is trying to become; the rest is mostly learning not to get in its way.
They Owe Us, the artist project of Swedish musician and producer Kristoffer Ragnstam, is rooted in the creative process itself: writing, recording, and searching through the quiet moments between chaos and clarity from a small studio on Sweden's west coast.
Over the past two decades in the alternative music scene, that curiosity has led him into unexpected territory. He's headlined his own tours, shared stages with Debbie Harry, Mumford & Sons, and Zander Hawley, and most recently toured with kanekoayano.
His work has reached No. 1 on the Billboard charts in Japan and landed in the Top 30 of U.S. college radio (NACC) with All on RED, proof that quieter voices can travel just as far.
This autumn, Ragnstam returns with a new album, Katzengold, released September 25, 2026. The record finds him chasing, intervening, drifting, and slipping into chaos, only to emerge on the other side, bruised, curious, and mostly intact.
"Lyrically, I can get a bit neurotic," says Ragnstam. "I kept asking myself, 'Should I write this? Should I really tell this story? Am I finding the right words?' I definitely hit a few speed bumps along the way."
Coinciding with the release of Katzengold, They Owe Us will support the album with many dates on the road. Beginning at Reeperbahn Festival before continuing through Europe with highlights including a Rough Trade Berlin in-store performance and signing. The tour concludes in South Korea, extending the reach of a project that has quietly built an international audience by following the songs wherever they lead.
but keep em coming for the rest of the night
Pulled from the shelf then dog-eared and bent
Self pity made you pretty.
Yet pretty doesn’t bite my heart
You drew the curtains but forgot your lines
Still bowed like the play went just fine
I clapped on cue, yeah, I played along
Even your silence had somewhere to belong
There goes my fairytale
Stamped with a grin, like smoke on your skin
Kept with the cuts I once called a win
There goes my fairytale
Flicked from the lip of a cigarette grin
Kept with the cuts I once called a win
You stirred your drink like you stir up doubt
Smiled like a dare with the edges smoothed out
The air got dense when you crossed your legs
I swear even logic forgot what it meant
I played it detached, in my best disguise
But your eyes played honest for the length of the lie
So I’m patching the holes with a hum and a pen
Call it a habit, tracing endings again
There goes my fairytale
Stamped with a grin, like smoke on your skin
Kept with the cuts I once called a win
There goes my fairytale
Flicked from the lip of a cigarette grin
Kept with the cuts I once called a win
+ + +
The Chicken Wheel will take you to the AP Go Fund Me- and any amount is so appreciated!
THE FACTS AS WE KNOW THEM
https://www.theyoweus.se/
https://www.facebook.com/TheyOweUs
https://theyoweus.bandcamp.com/album/katzengold
They Owe Us 2026
Cut and commit. Keep the first instinct. Don't edit away the personalities. For Kris Ragnstam, a scratch demo often contains everything a song is trying to become; the rest is mostly learning not to get in its way.
They Owe Us, the artist project of Swedish musician and producer Kristoffer Ragnstam, is rooted in the creative process itself: writing, recording, and searching through the quiet moments between chaos and clarity from a small studio on Sweden's west coast.
Over the past two decades in the alternative music scene, that curiosity has led him into unexpected territory. He's headlined his own tours, shared stages with Debbie Harry, Mumford & Sons, and Zander Hawley, and most recently toured with kanekoayano.
His work has reached No. 1 on the Billboard charts in Japan and landed in the Top 30 of U.S. college radio (NACC) with All on RED, proof that quieter voices can travel just as far.
This autumn, Ragnstam returns with a new album, Katzengold, released September 25, 2026. The record finds him chasing, intervening, drifting, and slipping into chaos, only to emerge on the other side, bruised, curious, and mostly intact.
"Lyrically, I can get a bit neurotic," says Ragnstam. "I kept asking myself, 'Should I write this? Should I really tell this story? Am I finding the right words?' I definitely hit a few speed bumps along the way."
Coinciding with the release of Katzengold, They Owe Us will support the album with many dates on the road. Beginning at Reeperbahn Festival before continuing through Europe with highlights including a Rough Trade Berlin in-store performance and signing. The tour concludes in South Korea, extending the reach of a project that has quietly built an international audience by following the songs wherever they lead.
They Owe Us, Swedish musician / producer / singer-songwriter Kristoffer Ragnstam, indie rock, indie pop, alt rock, new wave, folk rock, singer-songwriter, new album "Katzengold", new single "There Goes My Fairytale",



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