Monday, October 16, 2017

Project Diary: Thin Ice : Donker, Whimsy with a Dark Center, faint shades of Modest Mouse and Wes Anderson Soundtracks

NOTE: Every Monday I will post an insight into my music project as Donker until I get a Donker page up somewhere. 

THIN ICE- "Shooting columns in the sky"

I have always wanted to write a song with hand claps as part of percussive engine but never had until now. The cadence of what would become Thin Ice was part of the song from the very beginning as I dinked around on the guitar and after a folk C chord I highlighted the G note 3 times. At that moment I instantly knew that 3 hand claps would coincide with those G notes. Sometimes it is the little things that create the tone and atmosphere of a particular song and this was the case. In my mind the tone felt a bit whimsical like a mellow Modest Mouse song (oh only if it were that brilliant) and faintly resembles a song that could be in a Wes Anderson movie (I would die and go to heaven).

There are some references to Georgia where I relocated to from California a little over 3 years ago. I went from multi laned roads and freeways to a lot of two lane roads with some of the craziest ass drivers in the world. There are also trees raising to the heavens right next to our house and when storms come they sway like large hammers. I tell friends and family in the Golden state that I will be killed by either a crazy GA driver or a tree will fall on me and squash me like a bug. There is a line in the song about just that.

A lot of fables have a dark center and the center, the bridge of Thin Ice has one too. It may or may not contain a revenge fantasy and it may or may not have a very personal angle. I will leave it at that. Early on my friend Matt who lives out west felt the vibe of the song perfectly and his use of string sounds and an incredible Ebow guitar lead during the bridge twisted the sound and atmosphere once more. He elevated the sound and once again found the vision that was in my head. A lot of the time Matt and I are at once on the same wavelength but also shape each others sounds and I am so blessed to have him as a collaborator on my music. Like my debut album Dying Star he is all over key songs in the upcoming EP Age of Dinosaurs. Matt did most of the work on Thin Ice in California but also provided some sounds while living in Washington State where he lives now. I keep thinking that he will have to get used to those tall trees and roads shrouded in fog too.

I have ideas about the video for Thin Ice and it involves a lot of panels like a children's book. In discussion with a talented artist and I hope it comes to be. Too early to tell but wanted to share the song. Wes Anderson's Moonrise Kingdom seemed to fit in a strange or at least servicable sort of way until that happens. I appreciate you all listening.


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