"I'm at war with the gods and the dog catchers / I find hope in cartoons from discarded magazines / Where do I find salvation in this ecosystem? / Love is more than I can take..."
The indie rock invitation with the chamber pop adornments of "At War With The Dogcatchers", by Portland, Oregon birthed experimental indie rock amalgam The Taxpayers, is at once embracing and plaintive, like reminiscence of days gone by or saying goodbye to our former self. I think the lovely almost classic acoustic guitar progs, the kind of funeral drums and swelling horns cast against a really strong storytelling narrative by the band’s lead vocalist and principal songwriter, Rob Taxpayer, makes this song feel like it is based on an intimate compelling novel, dime store (or not) and, oh, the poetry.
"I got no faith in glory
Lies from dreams that came before me.
Kill the gods, save all the dogs,
Hell, who remembers anything at all?"
There are moments that feel like a much needed squeeze on your shoulder from a friend when he sees you need it or full on teary eyed hugs.
About the song the band shares:
"When a person dies and their pets are left behind, first responders will often take the pet to animal control until they can figure out what to do with it.
That’s what happened when a friend of mine died a few years ago. His dog was taken to the pound with a muzzle on and thrown into a cage next to a bunch of other scared and confused animals. Naturally, when anyone got near her she would growl and bark. So animal control decided she was dangerous and needed to be put down, unless someone could come and get her within 24 hours. Talk about pouring salt in the wound.
A friend of the family was able to come get her and care for her until a longer term solution could be found. She got shuffled around a bit before finally finding a new home.
So that’s how we ended up with a dog.
No thanks to the good-for-nothing dogcatcher"
“At War With the Dogcatchers” is about that: loving the broken things in spite of the dogcatchers of the world, and trying to find meaning in those things amidst the tragedies.
Their new album, "Circle Breaker", out on March 21 via the boundary-defying Ernest Jenning Record Co (pre-order).
-Robb Donker Curtius
THE FACTS AS WE KNOW THEM
https://taxpayers.bandcamp.com/album/circle-breaker
https://www.instagram.com/the_taxpayers/
https://www.facebook.com/thetaxpayers/
https://www.thetaxpayersband.com/
After a multi-year hiatus, long-running experimental punk band The Taxpayers are back and ready to make their mark once again. Formed in Portland, Oregon in 2007, The Taxpayers have been known for their genre-bending, DIY punk sound and their ability to push musical boundaries. Following a series of critically acclaimed albums, including 2012’s concept album God, Forgive These Bastards and their last full-length release Big Delusion Factory (2016), the band is thrilled to announce the release of their highly anticipated new album, Circle Breaker, out on March 21 via the boundary-defying Ernest Jenning Record Co (pre-order).
The Taxpayers have been busy during their time away, selling out shows across the U.S. and headlining festivals in Australia. Their upcoming album Circle Breaker marks a bold new chapter in their musical evolution.
In anticipation of the album, The Taxpayers have released two new singles, “Circle Protector”and “Evil Everywhere” along with accomanying music videos. Both tracks are available streaming now on YouTube and all streaming platforms for any playlist shares.
“Think of how much the world has changed since we released our last album,” says Rob Taxpayer, the band’s lead vocalist and principal songwriter. “It seemed appropriate to do something completely different.”
The album’s lead single “Circle Protector,” draws on deeply personal experiences, including a tragic event that profoundly impacted Rob Taxpayer. Reflecting on the moment, Rob shares:
“The day before ‘Circle Protector’ was written, I ran into my friends Katie and Will, who were loading an amp into the back of a car about a block from my house. They were heading to a house show in the next neighborhood over. ‘You should come,’ they said. But me and Elise had free tickets to see the stage adaptation of Alanis Morissette’s Jagged Little Pill and babysitters for our six-month-old (our first date night in months). So we hopped back on our bikes and told them to have fun. ‘Maybe we’ll stop by after the musical.’
“I found out the next day that there had been a shooting at that house show. Some random guys had wandered in thinking it was a house party, tried to hit on a few people who weren’t interested, and opened fire on their way out. An old friend had been killed, a victim of a stray bullet.
“I learned about this as I held my sleeping baby in my arms, grappling with the fact that my friend had been murdered a handful of blocks from where my baby slept. That night, I lit a bundle of old dried lemongrass and walked a protective circle around my home.”
The song “Circle Protector” encapsulates the emotional weight of this experience while embodying the band's continued exploration of complex themes and evolving sound.
The track “Evil Everywhere” is another deeply personal reflection on the state of the world today. Rob continues:
“With all the compounding murders and suicides and just general death that the band had been experiencing leading up to this album, I often find myself thinking about the word ‘evil’ and what it means. Is it an action, a choice, some unconquerable element of existence, a seed, just another thing that happens? Do we learn from the past or intentionally drown it out in order to just fucking get by? What direction leads away from it? What prevails in its face? The songs on this album ended up being, in some sense, an attempt to grapple with those questions.”
The band’s album Circle Breaker moves from the quasi-religious vocal harmonies of “Circle Protector” to the electro-funk of the furious “Evil Everywhere.” There’s chaotic punk (“I Am One Thousand,” “Nightmarish Population”), stripped back heartbreak (“Nobody is a Lost Cause”, “Empty Shed”), and genre spanning epics (“At War With the Dogcatchers”, “Everything Will Be Different”). Perhaps most surprising of all, at least for a mildly nihilistic punk band, are the songs of love and hope (“Naked Trees”, “Future Island”, “Outline of Your Blood.”)
“These are songs about circles, and they're the most personal songs we've ever shared,” says Rob. “The amount of death and birth we experienced prior to and during the making of this album - the violent deaths of friends and family members, the births of our children…it's been a journey for us.”
That journey is illustrated by the simple, provocative album art: a tree stump with new growth, created collaboratively by band members Nasrene Taxpayer, Rob Taxpayer, and artist Shauna Corinne Murray.
“Just as we began working on this album, our guitar player Andrew had a family member gunned down and murdered at a park near his home,” says Rob. “The next day, the city came and cut down the cherry tree in front of his house. A week or two later, Andrew texted me a picture: the gnarled stump of the cherry tree had sprouted new growth. A new tree being born from the old.”
When taken as a whole, the results of Circle Breaker are staggering; at once furious, heartbreaking, contemplative, joyous, and moving.
The Taxpayers have announced a series of midwest shows in support of Circle Breaker this spring in Minneapolis, Chicago, and Detroit, along with summer shows on the east and west coast.
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